Madame C.J. Walker was born in Delta, Louisiana,
to Owen and Minerva Breedlove, who were former slaves. At the age of six
years, Sarah Breedlove was orphaned. She married at the age of 14 to C.J.
Walker and bore a daughter, A'Lelia. A laundress until 1905, Sarah Breedlove
Walker had a dream, which was to make a preparation that would, in her words,
"improve" the texture of African women's hair. Finally, she set out with
$1.25 and plenty of determination to become America's first self-made woman
millionaire.
Madame Walker developed a line of cosmetics and
hair-care products especially for African-American women. At first she
sold her wares from door-to-door, then she established a company based
in Indianapolis, Indiana, where she employed thousands manufacturing and
selling her products all over the United States, Central America and the
Caribbean.
In 1916, Madame C.J. Walker moved to New York City.
She bought a house at 108 W. 136th St. and opened an elegant fully equipped
beauty salon next door at 110 W. 136th St. In 1917, Madame Walker bought
property on Broadway at Irvington-on-Hudson and built a mansion there
called Villa Lewaro where she entertained the rich and famous. Mme. Walker
was also an activist for human rights. In 1917, she was part of a delegation
that visited the White House petitioning President Woodrow Wilson to make
lynching a federal crime.
She also traveled around the country promoting her
products and speaking out on the rights of women and African Americans.
A philanthropist, Mme. Walker contributed generously to educational causes
such as the Bethune-Cookman College, founded by Mary McLeod Bethune.
When Mme. Walker died in 1919, her fortune and business
were left to her daughter, A'Lelia Walker. A'Lelia, like her mother, enjoyed
entertaining and supporting causes.
It was the height of Harlem's literary renaissance and in 1928-1929
she organized a literary salon in her townhouse at 108 W. 136th Street.
The salon was called "The Dark Tower" and was named after Countee Cullen's
column in Opportunity. Its purpose was to provide a place for young
African-American artists and writers to discuss and exhibit their works.
The walls of the rooms had poems by Langston Hughes and Countee Cullen
lettered on them. Black and white patrons met there, and a few young African-American
writers met white publishers there. The photograph of Mme. Walker accompanying
the ad for Mme. Walker's products was taken by Addison Scurlock, a well-known
African-American photographer. The one of her daughter is by R.E. Mercer.
The present site of the Countee Cullen Regional Branch Library is located
where the Walker Townhouse once stood.
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