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There
is no definition of folk music everybody agrees on. Among scholars,
folklorists, performers, and folk music fans, there has been a battle
going on over just what belongs and what doesn't since nineteenth-century.
Scholars' trying to describe the music of peasantry, age-old and anonymous,
invented the term "folk music".
Much as scientists,
in their research, have always drawn on the body of knowledge and
the methods of their predecessors, performers and songwriters make
use of the songs, styles, and musical ideas and techniques of those
who came before them. The music they all draw on in one way or another,
when you trace it back far enough, is folk music. Nowadays, record
companies and pop music critics are likely to call anything with
a pleasant sound and acoustic guitar, harmonica, or banjo accompaniment
"folk music".
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To
Park (1967), folk music is part of a folk culture. And the culture's
lore, including its ballads and stories, is passed down by word-of-mouth
from generation to generation.
Folk
music can be traced far back hundreds, maybe thousands, of years.
Indians, who inhabited this land, performed an endless variety of
songs to thank the spirits who controlled all things, to accompany
their day-to-day activities, to tell the tales of the mysteries
of life, and to record the tribe's greatest adventures. By the time
the first English colonists landed at Jamestown in 1607, British
folk music, in a more or less recognizable form, was a thousand
years old.
In
the late summer of 1619, a Dutch ship landed at the English settlement
in Virginia and sold twenty black Africans into slavery. In the
coming years, hundreds of thousands followed these confused, frightened
Africans into enslavement in America. As a harsh, careless and crucial
time passed, they produced some of the most beautiful and powerful
music ever performed anywhere in the world.
People
moved on, and as they did, they brought their songs, tunes and culture
with them. When one group of people met another from a different
part of the country, each learned from the other, and both had new
songs to pass on to their friends and family. In this way, the songs
traveled, mixed, and changed. The major influences on American folk
songs can be divided into three parts: the
American Indian music, the
Anglo-American music, and the
Afro-American music. Eventually, some of the shifting around
slowed, and the folks of each part of the culture developed a fairly
consistent singing style and a body of songs suited to their needs
and likes.
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