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The Funerary TextsNevertheless, the netherworld was a strange and potentially dangerous place, and the Egyptians were not a society to leave even a sure thing to chance, especially when eternal life was the reward. And they didn't: over the course of some 2,500 years they recorded an elaborate series of "funerary texts," made up of special types of spells (or "utterances"), which together described the necessary rituals that should be performed for the dead, and also provided crucial instructions to be used by the dead in the afterlife. It is largely from these texts, written in columns on royal tomb walls (the "Pyramid" texts), on coffins (the "Coffin" texts), and on papyri (in later collections called "books") left in mummy tombs, that we have learned from the Egyptians about how they saw the world and the promise of life after death. ![]() |
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The Offering and Resurrection RitualsThe funerary texts are made up of spells - some of the spells are only a sentence long, while others might take up several pages. They are divided into two general types that reflect two important stages in the preparation for afterlife: (1) providing the dead with the means to enter the netherworld, and (2) providing instruction for reaching and passing the final judgement. The first group of spells included incantations of protection, and, most importantly, rituals of "offering" and "resurrection." They described specific instructions for the friends or followers of the dead to perform as part of a formal funeral. First there was to be purification of the body, followed by the "Opening of the Mouth" ceremony, in which the faculties of the dead were restored, and his or her ba and ka were released into the next world. Next was the "offering ritual," in which ceremonial offerings of food and other items were made to the deceased. Here is an example of an offering spell from the Pyramid texts: |
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speaker would have been the king's son or successor, who would act in the role of Horus, Osiris's son. According to Egyptian myth, Osiris was the first mummy, who, having been killed by Seth, was rescued by his son, Horus, and was restored and resurrected to life. The "Eye of Horus" here represents any ritualistic offering made to the dead king; that together with calling forth the name of Osiris, would hopefully identify the dead with Osiris and thus give him the power of resurrection as well. The second part of this first stage, the "resurrection" ritual, essentially delivered the deceased from this world into the next; that is, the dead were made to "[go] away alive" into the netherworld, where they would reach the Final Judgement and eternal reunion with their ka. |
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| or Osiris and his forty-two messengers, reciting to them "I know you, I know your names." From there the heart of the deceased was placed on one side of a balance. The heart was special to the ancient Egyptians: it was considered the center of a person's personality, and it provided a link between one's life in this world and the next - it would assure memory of ones earthly identity in the afterlife. So important was it that the Egyptians took special care that the heart be left in the body of the deceased, along with a spell from the Book of the Dead to give the heart back to the dead in the afterlife. (This unlike the brain, which was extracted and discarded.) On the other side of the balance was placed a feather, symbol of Maat, goddess of truth, justice and order. The deceased then would begin immediately reciting a formula called the Negative Confession, part of which is shown below: |
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The principle value in achieving this eternal extension of one's life in the next world is the promise it holds in fulfilling one's life begun on earth. Those who were debilitated in life by crippling diseases, or who suffered from poverty, or those women who were unable to bear children, would be given an opportunity to fulfill their desires in a new place where those obstacles were now removed. The dream of an ideal life held on earth could now be realized. Back to top |
Last updated 20 February 1997 by CHICO |