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[ Credit]
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Illustration 3. Louis Sullivan's National
Farmers' Bank of Owatonna, Minnesota
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Prairie Style Influences
In style, the exterior represents a sophisticated
blend of Classical Revival features mixed with Prairie Style elements
observed in progressive Chicago architecture of the period. The
building's symmetry, rational, segmented elevation,
colossal columns in
antis, projecting cornice
line and symmetry derive from ingrained classical precedents. Hill's
densely-blocked brick form, stripped of most ornamentation, recall
works by Louis Sullivan and Frank Lloyd Wright. Tall, thin window
bands, located above the marquees on each side façade, exhibit
the most overt Prairie Style character, and can be seen in many
commissions by Wright, as at his Unity Temple (Oak Park, IL 1910).
The use of colorful or highly detailed decorative bands to emphasize
an entrance can be observed in several works by Louis Sullivan.
As Hildebrand observed of Hill, "The bold major opening punched
into vault-like mass and the handling of the ornament recall Sullivan's
Getty Tomb or the Midwestern banks (of which only that of Owatonna,
Minnesota, had been completed at the time; the Owatonna Bank was
published in detail in the Architectural Record of October
1908)." [3] (See Illustration 3) Kahn and his collaborators
utilized this Sullivanian idea to concentrate decorative bands around
main doorways and to provide vivid counterpoint to the austerity
of the rest of the entrance façade
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- Ibid., p. 73. Kahn produced a variation
of Sullivan's Wainwright Tomb at his Detroit Savings Bank branch
(ca. 1915) illustrated in the Architectural Record, v.
XLII no. 1, January 1918, p. 84.
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